Flash Gordon: The Storm Queen of Valkir (Sundays 1944-1948) is the fourth volume in the collected Flash Gordon Sunday comic strips and the first volume of Sundays featuring the art of Austin Briggs (who started on the dailies in 1940). This volume begins with Flash and Dale flying back to Mongo's capital in a triphibian rocket only to be diverted by a damsel in distress who is menaced by a giant scorpion. Once again, the damsel is the ruler of a kingdom (Marvela in this case) who is immediately smitten with Flash, thus sparking Dale's jealousy, and she, in turn, attracts the unwanted attention of another noble. It is a familiar tale because Don Moore, the ghostwriter of Flash Gordon, had established a formula by this point that he seemed unable or unwilling to abandon. In comparison to Alex Raymond's era, Flash Gordon became less fantastical, less heroic, less driven by a greater goal, and more a tale of recurring jealousy amidst a backdrop of hostile petty kingdoms and the clumsy machinations of Kang, the son of Ming the Merciless. The art is serviceable and, at times, impressive, but overall it matches the blandness of the writing.
SPOILER ALERT
The highlight of this volume is also its nadir, by which I mean the introduction of... the terrocrabs. Queen Valkir announces that Flash Gordon's reward for saving her is to become her husband. Flash politely refuses, Valkir calls him a traitor and orders her guards to seize him, Flash turns the tables on her and demands that he and Dale be freed, Valkir would rather die than release Flash and orders her guards to kill Dale, Flash surrenders, and Valkir declares, "Flash must die the 'Dozen Deaths' while I watch and laugh!" And all of that happens in the space of six frames. After surviving the fourth of the Dozen Deaths (an encounter with the octoshark), Valkir says, "I, too, am bored with these spectacles. I'll skip the rest of the 'Dozen Deaths' – and let Flash face the last and worst ordeal!" (Terrocrabs.)
"Now you face the last and surest of the 'Dozen Deaths'...We don't execute a rebel, we just sentence him to a day and a night among the terrocrabs. No man has ever survived," Valkir states in the strip of 1 September 1946. Then, in the third frame, the mighty terrocrab is revealed in all its terrible majesty. It's a lobster. A green and red lobster. A normal-sized green and red lobster. The terrocrab is soon joined by others, and Flash runs toward a tree to escape their fearsome claws. Prince Marko warns Flash to avoid the claws and tracks of the terrocrabs, which contain a paralyzing venom. Flash eludes them and climbs to safety, but no! Terrocrabs can climb!
The terrocrab is a close contender with the squirrelon for Silliest Creature of Mongo. Sadly, it is also the most memorable thing about the Flash Gordon Sunday comic strips from 1944 to 1948.
END SPOILER ALERT
By the mid- to late 1940s, the Flash Gordon comic strips had begun to stagnate. Would they recover and, if so, how soon? I would like to explore the answers to those questions, but I recently learned that Titan Books, the publisher of the Flash Gordon books I have been reviewing (and which had planned to reprint the newspaper comic strip in its entirety), no longer has the license to publish Flash Gordon. Mad Cave Studios now has the license and is publishing its own collections of reprints. I do not know whether it will be using the same scans and format as Titan Books, but it will once again be starting at the beginning. It might be years before a volume covering the comic strips after July 1948 is released. Until then, or unless I can find another way to access them, this series of articles will remain unfinished.
